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John Pawson

John Pawson was born in 1949 in Halifax, Yorkshire.
After a period in the family textile business he left for Japan, spending several years teaching English at the business university of Nagoya.

Towards the end of his time there he moved to Tokyo, where he visited the studio of Japanese architect and designer Shiro Kuramata. Following his return to England, he enrolled at the Architecture Association in London, leaving to establish his own practice in 1981.
From the outset John focused on ways of approaching fundamental problems of space, proportion, light and materials, rather than on developing a set of stylistic mannerisms – themes he also explored in his book Minimum, first published in 1996, which examines the notion of simplicity in art, architecture and design across a variety of historical and cultural contexts.

Early commissions included homes for the writer Bruce Chatwin, opera director Pierre Audi and collector Doris Lockhart Saatchi, together with art galleries in London, Dublin and New York.
Whilst private houses have remained a consistent strand of the work, subsequent projects have spanned a wide range of scales and building typologies, ranging from Calvin Klein’s flagship store in Manhattan and airport lounges for Cathay Pacific in Hong Kong, to a condominium for Ian Schrager on New York’s Gramercy Park, a set for a new ballet at London’s Royal Opera House and the interior of a 50-metre yacht.

Over the years John has accrued extensive experience of the particular challenges of working within environments of historic, landscape and ecological significance, key recent examples including the RIBA prize-winning Sackler Crossing – a walkway over the lake at London’s Royal Botanic Gardens, Kew – and the Cistercian monastery of Our Lady of Novy Dvur in Bohemia, awarded the Frate Sole International Prize for Sacred Architecture in October 2008.

From handle-free Ikea kitchens, to the departure lounges for Cathay Pacific, to the ultra-hip Schrager hotel chain to the Jigsaw shops’ concrete floors, his influence is everywhere.

John focused on ways of approaching fundamental problems of space, proportion, light and materials